sexta-feira, junho 30, 2006

THE JABBERS






"In 1977, GG Allin began recording with a band which would later become The Jabbers. The first two Jabbers singles (Beat, Beat, Beat/Bored to Death/One Man Army & Cheri Love Affair/1980s Rock N Roll) were recorded with GGs brother Merle on bass and various local guitarists. In 1979, GG put together a band to play live. Childhood GG Allin friend Alan Chapple was recruited to play bass, and Rob Basso joined as lead guitarist. Chris Lamy joined the band 6 months later, in 1980, as rhythm guitarist and in 1983, Mike ODonnell became The Jabbers final drummer and recorded with the ScumFucs.
During the years 1979 - 1984, The Jabbers played or recorded with Wayne Kramer (MC5), Dennis Thompson (MC5), David Peel (The Lower East Side), and Cheetah Chrome (The Dead Boys). The Jabbers released a full-length album in 1980: Always Was, Is, and Always Shall Be, which was followed by numerous EPs, 45s and compilation cuts. Rhino Records included You Hate Me & I Hate You on their Faster & Louder: Hardcore Punk compilation. The Jabbers shared disc space with The Germs, Fear, Husker Du, Agent Orange, X and The Wipers.

Live shows during the 1979 through 1984 period typically consisted of broken glass, blood, and topless female fans. The band played loud and fast and were banned from every punk club in the northeast. The Jabbers played their last show together in May of 1984 after which GG performed with The ScumFucks.

20 years later, The Jabbers have reunited to wreak their brand of Punk Rock and Roll havoc once more. Alan Chapple, Chris Lamy, and Mike ODonnell have been joined by new vocalist, Wimpy of The Queers and lead guitarist Harlan Miller, also who played with the Queers and more recently, the Tunnel Rats. "

YOU CAN VISIT THEIR MYSPACE :

WWW.MYSPACE.COM/JABBERS


ESTE POST VAI DEDICADO AO MEU AMIGO ZÉ ABUTRE


MOTORPUSSY MOTORPUSSY MOTORPUSSY!!!




A MINHA BANDA ROCK PREFERIDA NO MYSPACE TAMBÉM, NO SEGUINTE LINK:

WWW.MYSPACE.COM/ROSETATTOO


AQUI FICAM DUAS LETRAS DELES QUE ME DIZEM MUITO DEDICADAS AOS MEUS AMIGOS...

Rock 'n' Roll Outlaw (ROSE TATTOO)

I don't need lots of people, tellin' me what to do
I don't need a long haired lady, to love me true as true
All I need is a rock'n'roll band...somewhere new to play
And I'm on my way, I'm on my way

I'm a rock'n'roll outlaw, and I'm on the run
I'm a rock'n'roll outlaw, I never needed anyone

My life isn't easy baby, it's the life that I need
I got music livin' inside of me, I gotta set it free
All I need is a rock'n'roll band...somewhere new to play
And I'm on my way, I'm on my way

I'm a rock'n'roll outlaw, and I'm on the run
I'm a rock'n'roll outlaw, I never needed anyone

Playin' music babe, it´s all I know
Where it wants to take me honey...

All I want from livin' is just to be left alone
All I need is an open road, 'cause I'm a rollin' stone
All I need is a rock'n'roll band...somewhere new to play
And I'm on my way, I'm on my way

I'm a rock'n'roll outlaw, and I'm on the run
I'm a rock'n'roll outlaw, I never needed anyone

I'm a rock'n'roll outlaw, and I'm on the run
I'm a rock'n'roll outlaw, momma I don't need no one

I'm a rock'n'roll outlaw, and I'm on the run
I'm a rock'n'roll outlaw, I never needed anyone


ROSE TATTOO - WE CANT BE BEATEN

IF YA WANNA BE IN MY GANG,STAND UP WITH ME
WELL START A REVOLUTION AND MAKE THE STREETS FREE..
WE ´LL NEVER WEAKEN,WELL GIVE IT OUR BEST…
CAN T BE DEFEATED,WERE BETTER THAN THE REST…

SHOULDER TO SHOULDER,WERE GONNA STAND
WE´RE GONNA FIGHT TO THE VERY LAST MAN
CANT BE DEFEATED,DON’ T KNOW THE WORD
SHOULDER TO SHOULDER WELL FIGHT THE WORLD

WE CANT BE BEATEN…WHAT LL WE TELL EM BOYS…
WE CANT BE BEATEN

THERE COMES A TIME,WHEN EVERY MAN MUST FIGHT
WHEN HE BELIEVES IN JUSTICE AND RIGHT
WE´ LL TAKE SO MUCH TILL HE LL TAKE NO MORE
THEY’LL HEAR US COMING WHEN THEY HEAR THE MIGHTY ROAR…

SHOULDER TO SHOULDER,WE RE GONNA STAND
WE´RE GONNA FIGHT TO THE VERY LAST MAN
CAN T BE DEFEATED , DON T KNOW THE WORD
SHOULDER TO SHOULDER ,WE LL FIGHT THEWORLD

WE CAN T BE BEATEN … LET ME HEAR YA
WE CAN T BE BEATEN …SING IT LOUD
WE CAN T BEATEN…WE LL TELL THE WORLD
WE CAN T BE BEATEN…

NOW LISTEN EVERYBODY OUT THERE THAT REALLY CARES
YOU GOTTA REALISE THAT YOU RE THE REAL POWER
WE CAN RULE THE STREETS
ITS JUST UP TO YOU AND ME

CAN T BE DEFEATED, DON T KNOW THE WORD
SHOULDER TO SHOULDER WE LL FIGHT THE WORLD…

CAUSE…
WE CAN T BE BEATEN…HEY HEY
WE CAN T BE BEATEN…YOU GOTTA BELIEVE IT
WE CAN T BE BEATEN…THEY LL SOON FIND OUT
WE CAN T BE BEATEN…NO
WE CAN T BE BEATEN…
WE CAN T BE BEATEN…WHEN THEY HEAR OUR VOICE
WE CAN T BE BEATEN…THEY LL HEAR US COMIN
WE CAN T BE BEATEN…WE VE GOT THE CAUSE TO FIGHT














SCARRED FOR LIFE !!!

(*on this pictureJay Cobra unfinished Tattoo)

GREAT ITALIAN PUNK ROCK N´ROLL BAND

YOU CAN VISIT THEIR PAGE AT:

WWW.MYSPACE.COM/THECROOKSITALY



PALAVRAS PARA QUÊ ???

UMA DAS MELHORES BANDAS INGLESAS DE SEMPRE TAMBÉM NO MYSPACE...


"Amebix, now recognized as one of the most influential ponderous bands ever, was born in England during the summer of 1978. Originally trolling their minds and coming up with the thought provoking moniker the Band With No Name, the group of dirty, broke punks recorded a trashy six-song demo and managed to sell a meager four copies of it. Opting for the name Amebix, the band released a track from the demo called "University Challenged" on the first edition of the obscure compilation series "Bullshit Detector" . "

"Life was chaotic from start to finish for Amebix, because they were really living the lifestyle that their lyrics and image portrayed. Guitar player Stig writes on the gatefold of the posthumous album of live and studio recordings "The Power Remains" that "none of us signed off the dole in all the years we were together." Living in squats (abandoned buildings) and other unstable accommodations, eating out of the garbage, scamming and hacking out a living by any means possible, it's amazing that the band were able to amass equipment and practice on a somewhat regular enough basis to last for nine full years. However, through all of the strife and chaos, the band were astoundingly prolific, recording enough material (including bootlegs and posthumous releases) for seven full-length albums, two 7" records, two compilation tracks, and the previously mentioned Band With No Name demo in that period of time. "


WWW.MYSPACE.COM/AMEBIXUK


"...THE BOYS ARE COMING HOME ..."


WWW.MYSPACE.COM/DOGSLAUGHTER


"Hailing from the notoriously tough Manchester suburb of Wythenshawe (once the skinhead capital of the North) Slaughter & The Dogs originally formed when Wayne Barrett (vocals) and drummer, Brian (Mad Muffett) Grantham, got together with bassist Howard 'Zip' Bates joined them in late 1975. Originally twin guitars, Mick Rossi became the sole guitarist when Mike Day left. Wayne thought up the name for the band whilst lying in bed prior to their first gig.... a mixture of Diamond Dogs by Bowie and Slaughter on 5th Avenue By Mick Ronson...hence Slaughter And The Dogs!

They did the usual rounds in local clubs and working men's clubs doing covers of Lou Reed, Bowie and started writing their own numbers. Going from strength to strength and picking up good press they found themselves at the forefront of the Manchester punk scene along with the Buzzcocks and The Drones mirroring the London scene.

They blagged their way onto the bill of the Free Trade Hall gig with The Sex Pistols and Buzzcocks and managed to get themselves as second on the bill and first on the posters advertising the event and missing out The Buzzcocks! They came on stage with long hair, satin, guitar poses a la Ronson etc and were hammered by the press and audience. "We really deserved the slagging we got when we first started, but I think its gone on a bit long, we should given the chance to show what we can do." Wayne. Shy Talk 2. Manchester Fanzine.
But after seeing The Pistols and their look and sound and after taking to heart the criticisms they were astute to enough to see which way the wind was blowing as they cut their hair, changed their clothes and took on the new style like so many other bands of the time.

Glen Matlock: "I liked them...I thought they were a fun kind of band. I didn't consider them to be a punk band although they got involved in that 'coz that was what was going on at the time."
Tony Wilson: "They probably had a little bit too much Bowie and a little too much Mick Ronson but nevertheless they were good."

On Maclarens advice they set of for London and The Roxy club Mike Rossi "The aim after the Free Trade hall thing was for us to try and hit London."

Their gigging schedule grew heavier and they were soon playing at leading London punk venues like The Roxy and Vortex as well as others like the Marquee and Nashville. Live they were quite a sight with Wayne's predilection for talc in the absence of smoke generators !!! The Roxy gave the band their first recording break when they appeared on its live album with two songs 'Boston Babies' and 'Runaway'. "






WWW.MYSPACE.COM/DOGSLAUGHTER


IMPERDÍVEL!!!
RAPPRESAGLIA





Punk Rock since 1982

Formed in 1982 during the hardcore punk explosion, Rappresaglia has been one of the bands symbolizing that season of fury that made Italian groups famous worldwide. Soon they started to look back at their roots recovering spirit and sound of ’77 punk bands like Ramones, Clash, Stiff Little Fingers without being inspired by a specific band but always trying to create their own personal style.


BANDA PUNK ITALIANA NO MYSPACE EM:


WWW.MYSPACE.COM/RAPPRESAGLIA




Wretched were, and still are to this day, one of the most influential bands in the Italian punk scene. Together with other great Italian bands, such as Negazione, Indigesti, Raw Power, Impact, and countless others, Wretched incarnated the fury of Italy's punk scene of the 80s. As a result, their music and, most importantly, their message continue to inspire people even today.
Wretched formed around 1980 in the city of Milan. The first lineup was composed of Gian Mario on vocals, Gigi on guitar, Fabio on bass, and Giancarlo on drums. In 1982, Wretched unleashes their music onto the punk scene with their famous split with Indigesti, another great band from Milan. The band sang rigorously in Italian, as the members found it easier to express their message by singing in their native language. Through their songs, Wretched wanted to deliver a strong anti-war message and throughout their carreer, the band always took a pacifist stance. The band also stood by their DIY ethics by self producing all their records on their label, Chaos Productions. Wretched were also one of the protagonists of the infamous Virus squat in Milan, which was one of the most, if not the most, important center in the Italian punk scene. In 1983 came their first EP "In Nome del Loro Potere Tutto e` Stato Fatto." During that same year, the band lineup went through some changes as Daniele replaced Gigi on guitar, and Crema replaced Giancarlo on drums. With the new lineup, the band recorder their second EP "Finira` Mai," which lead the way to their much beloved first LP "Libero di Vivere, Libero di Morire," which was released in 1984. The band's message and powerful music was quickly spreading throughout the world, as Wretched started to appear in numerous international compilations; most notably, Wretched appeared on the sensational compilation "P.E.A.C.E.", which featured bands from all over the world. In 1985 came another lineup change, as Zambo became the new drummer. With this lineup, the band released the LP "La Tua Morte Non Aspetta" in 1986, which showed the band had started mixing a bit of heavy metal in their sound. In 1988 Wretched released their last record ever "In Controluce," as shortly after the band split up due to internal problems and Gian Mario's shredded vocal chords.

WRETCHED MITÍCA BANDA PUNK ITALIANA NO MYSPACE EM:

WWW.MYSPACE.COM/LALOTTACONTINUA

quarta-feira, junho 28, 2006




About Hellspiders :

"All began when the Gods visited S.n.o.b. in the form of a burning bush and told him his divine mission was to form the sexiest and most powerful Rock band of all times. S.n.o.b. had already been the guitar player in the legendary grind band S.N.O.B. (from which he gained his nickname), and the mentor behind crust terrorists DECEIVER, among other obscure projects. His particular personality (read has hes a really weird guy), mixed with his talent to music and his problems with alcohol and the law made clear that not any person would fit in this band. So he started by recruiting long time friend and music partner Roger, ex-bass player in S.N.O.B. Roger, who was by now a psychobilly addict, is a reserved and warm guy, friend of his friend, an easy to speak to person, and a drunk, so he fitted really well. The next step was to find a voice and a drummer. First they tried to contact a certain drummer named Nelson, but apparently it was impossible, so they recruited childhood friend Preto to give it a try. Preto was a very burned out punk and a really talented guy. With a bottle, a can of sardines and a bag of air he has a drum kit and the party going. But his problems with alcohol, and with no steady home, squat or street to live in, made it very difficult to find him and rehearse. In the meanwhile, a voice was found in the figure of another long time friend, the devil himself! Diabo was an inexperienced singer, but his powerful voice and his fat belly with gangrene convinced them he was the right choice. The only ex-alcoholic in the band, he has a sordid past with links to police problems, occultism, necrophilia and other strange things. To replace Preto, who went into rehab, they once again invited another long time friend, C. C was a very hallucinated and strange friend, who gazed into infinity looking for God knows what, with the help of some chemicals. But of course that didnt stayed that way for long and he started getting really paranoid and crazy. They are all after me, he usually said until one day he snapped. Hes currently being treated in a quiet and peaceful place. Eager for their mission to be fulfilled, the Gods lightened the path, and so, through a friend of a friend of a friend, they finally managed to contact the drummer from Hell, Nelson. Nelson, who played in the legendary Glam Rock mercenaries MORTE FORTE, and was behind other obscure projects, decided to give it a try. Coming from unknown place somewhere in the north, with unknown past, and links to things we cant write here, hes a great guy as long as you dont speak to him. When the four Chosen Ones finally came together, and presented themselves to the world in a cold November night, the circle was closed and the Gods were pleased. The Lamb opened the seven seals and the seven angels blew " .








VISIT THEIR PAGE :

WWW.MYSPACE.COM/HELLSPIDERS


REGULATIONS






SWEDISH PUNK ROCK INFLUENCED BY: BLACK FLAG,CIRCLE JERKS ,GERMS,DEAD BOYS,ADOLESCENTS,ETC ETC...

Podem ver um video deles:

Uma excelente banda punk rock sem nenhuma dúvida...




New York city rock

A band that visited Portugal Twice...

visit their page :

www.myspace.com/toiletboysnyc




BRASIL 80´S CLASSIC PUNK ROCK


LINK SITE: http://www.colera.org/
OLHO SECO





"Os Olho Seco apareceram em 1980, três anos após o surgimento das primeiras bandas punk no Brasil. Porém o seu líder, Fábio Sampaio, estava na cena desde os primórdios, foi um dos pioneiros e um dos maiores responsáveis por tudo que existiu (e existe) do punk nacional. Em 1977, Fábio escutava o rock da época mas tudo aquilo estava muito monótono e vazio. Um dia descobriu a primeira coletânea punk lançada aqui, chamava-se A Revista Pop Apresenta o Punk Rock, uma capa branca com respingos vermelhos imitando sangue e uma seleção inacreditável: Sex Pistols, Ramones, The Jam, London, Runaways, Eddie & the Hotrods. Esse LP recheado de pérolas, mudou a vida de muita gente. Eram músicas de single, muitas delas (como as do London e dos Hotrods) não disponíveis em nenhum dos LPs das respectivas bandas. Apartir de então Fábio passou a ser o DJ das festas e shows punks até que em 1979 abriu sua loja numa das galerias da 24 de maio, no centro de São Paulo, a Punk Rock Discos, ponto que passou a aglutinar os punks da cidade. Além de apresentar o punk rock europeu e americano para os punks locais, ele começou a correspoder-se com os integrantes dessas bandas e fazer contatos valiosos para a fama do movimento por aqui. Entre os punks que apareciam vários tinham banda, entre elas os Cólera. Pois foi num dos ensaios dessa banda, que nasceu "olho seco" a música, quando Fabio aproveitou o embalo e deu uma canja no vocal. A banda por sua vez foi formada com o baterista Sartana mais Redson e Val do Cólera. Fábio já tinha uma coleção de letras sobre pobreza, crime, violência e tudo mais que o quotidiano de São Paulo podia inspirar. Além disso, nos anos 70 chegou a cantar em uma banda cover de rock. Nada a ver com ele que era um revoltado: "Em todo trampo(serviço) que trabalhei era o maior radical. Se estava cabeludo mandavam cortar, eu cortava e deixava a barba crescer. Quando ficava barbudo, mandavam rapar. Eu rapava e deixava o cabelo crescer. Aí fui trabalhar por conta." Em 1981 e 82 o Olho Seco fez diversos shows incluindo o famoso festival O Começo do Fim do Mundo. Além disso a banda estabeleceu sua identidade musical seguindo um estilo mais inspirado pelo hardcore da cena britânica dos anos 80 como os Varukers, Discharge e Exploited."




EXCELENT STREET PUNK MADE IN CHINA

"You have never heard of any real Chinese street punk music? Well, come on to Demerit live! There are not only pure street punk sound but also independent thinking and passions! Their nearly 100 Beijing live shows in the last 2 years have proved it perfectly! Formed in the summer of 2004, Tsingtao, China, the early Demerit--Li Yang (vocal/guitar),Xue Yang(bass) and Zhang Wei(drum) --stayed in a small rehearsal room and did not play any live shows. Later, Zhang Wei dropped out, Zhe Shuangsheng (drum) and Zhang Ning (Guitar) joined in. Zhang Ning took the guitar ,Li Yang could concentrate on singing then. One month after birth they played their debut on the stage of First Tsingtao Beach Music Festival, then the band played live in Jining and was planning to move to Beijing. Again the drummer had to leave, the band were bogged down. But what the adversity brought them are higher passion and stronger belief. Frequent changes of drummers gained their experience and varied their style.In April,2005, the drummer super muscle man Zack(US) joined, which made Demerits music really a bomb. Their mature music arranging, ideas and tacit agreements led the band to a bigger progress. In this period, the band performed nearly 100 lives, including their own concert in Tsingtao, the Second China Outdoor Punk Festival, the art activity of the 35th anniversary of the establishment of diplomatic relations between China and Canada, the third Zhengzhou SIAS Rock Music Festival, their own concert Fight Your Apathy in What bar, and the first rock concert in south Beijing. They also began to be interviewed by Chinese and foreign press. In the beginning of 2006, the band recorded their first demo CD. As Zack was leaving Beijing, this record was named Never Say Die, which suggested that the band wouldnt give up, this record also brought them quite some confidence. Then Zhen Song-who s been Li Yangs old friend-replaced Zack. Then the band was again busy doing rehearsal. In only two weeks they got all composed songs ready and never delayed one show. The new line-up appeared in the Beijing show of the Sweden hardcore punk band Insurgent Kids tour in 13 Club, took part in 2006 MIDI Music Festival, which is Chinas biggest rock music festival. In MIDI, in the ground of 10,000 people, when the intro was rising, when the band was burning up, the crowd couldnt hold their passions and excitement back, the whole ground was bursting with passions. Demerits movingly incendiary performance made itself stand on the stage much more truly, moreover, on the top of Chinese street punk wave. They are not only giving you excitement and passion but also trying their best to get beyond themselves in every live show. They need you to think everything around you over, to see yourself clear, without saying empty slogans. That is real punk live, a beginning of a new era of Chinese punk music. They put their understanding of music, world, life into very every song. They present the world in their mind completely. They are singing contemporary youths confusions, anxieties and expectances. In this material world, this commercial era, they persist with their belief and way of life. Just as a rock n roll senior said: In a material world, the most difficult thing is doing music. But none of those could hold Demerit back, because they are so pure and introspective. On the same stage, Demerit is going far more. As they said: Anger may look cool, but never as real as love. Every soul has his understanding of the world, what we need is to experience it and practice it sincerely, not anything else. Any words would be unnecessary! Chinese real street punk! Demerit! The true Chinese street punks!!! punks everywhere who would like to come and play in China and give us a chance to play in your country ."



VISIT THEIR PAGE ON:

WWW.MYSPACE.COM/DEMERITAMRY






OBRIGATÓRIO VISITAR O MYSPACE DESTA EXCELENTE BANDA EM:

WWW.MYSPACE.COM/ANTISEEN



CHEERS



Punk Rock Nacional da Actualidade

Editaram uma demo em formato tape que já esgotou e que recebeu boas critícas,deixo-vos com a critíca da maximum RnR :

MaximumRocknRoll demo review

"The Youths kick ass! They are the lost children in the family of great punk coming from our Swedish friends like The Vicious and other Wasted Youth stuff. Totally rockin, snotty and heartening! They even throw in hand claps here and there. I am in love."




Página Oficial em :

HTTP://WWW.MYSPACE.COM/THEYOUTHS

terça-feira, junho 27, 2006

TOTAL CHAOS




WWW.MYSPACE.COM/TOTALCHAOS

PODEM VER AQUI UM VIDEO DESTA EXCELENTE BANDA AMERICANA:



PEDITÓRIO HIPPIE PUNK



NÃO ESQUECER DE DEIXAR UMA ESMOLINHA...

INTERTERROR





No tan famosos como otras bandas de punk del estado de los ochenta, Interterror fue una de las primeras bandas de Valencia de punk cuando solo habían unos primerizos como Seguridad Social(SS) y unos años más tarde N.E.S.(Nuevo Ejercito de Salvación).

Empezaron sobre el año 1980, Paco alias “El enano infiltrado” el que primero guitarra y cantante de esta banda empezó con una formación que no se quedaría fija hasta el 1981, empezando Willy con el bajo, este con guitarra y voz y Victor a la bateria más tarde cambiaron la formación metiendo a un cuarto miembro que eran: Victor(batería), Paco "El Enano infiltrado" pasó al bajo y Miguel la guitarra y Willy cantando. Gracias a su punk con muy buen sonido y letras peculiares compusieron temas siniestros, sobre la segunda guerra mundial, provocativas... se dieron a ver en la escena fuertemente, grabando en 1982 su primera maqueta en directo llamada "Vivos o Muertos" pero ya un punk más rápido y con un mensaje más en contra de la sociedad y provocativo como dije antes y grandes fieles seguidores del punk británico.
Ya en 1983 grabaron su primer single por un sello independiente, cuando solamente tenían la edad de 17 y 18 años. El single contiene dos de sus temas que son prácticamente himnos hoy en dia "Adios Lili Marlen" y "Felices días en Auschwitz". Este single tuvo una grana acogida llegándose a vender en grandes plataformas comerciales vendiendo las 1500 copias que salieron y sin reeditarla por aquel entonces(hoy en día este single ha sido reeditado por Radikal77 Records).

Dieron bastantes conciertos con anécdotas que cuentan ahora en entrevistas como una en un concierto con una sala llena de gente ellos como se puede ver en la letra de "Llamamiento a la sublevación" eran anarquistas y llevaban este símbolo, pidió al público un cigarro y fuego, el tio que le dio el mechero tenia la cara de Jose Primo de Rivera y este le dijo que le parecía su mechero, el mechero no encendía y Willy respondiéndole "...que no funciona" pensó que lo mataría, pero no, con la cara colorada se dio la vuelta y se fue, luego les comentaron que ese tipejo en cuestión llevaba pistola.....según dicen era típico en aquella época mezclarse gente de ultraderechas con punks, en Valencia se mezclaban pero la política y las discusiones les hacían llegar a terminar a botellazos... Otra fue en un concierto de Madrid que uno le llegó y le dijo que había puesto de decoración una soga, y se lió a hostias con otro que llegó para quitarla porque al parecer era el símbolo de Paralisis Permanente y quitaron la soga, ya tocando en este mismo concierto surgió como no, las rivalidades de ciudades y cuando estaban tocando les insultaron y se lió una pelea, al finalizar el concierto uno que solo lo conocía del circulo en el que se movía de Valencia le dijo que tranquilos que le habían partido la cara al tio que los insultó, sin saber ellos porque arrastraban a gente y los defendían como fanáticos seguidores.

Ya en 1984 Paco "el Enano infiltrado" decide marcharse del grupo por sus diferencias con Willy, formando "el Enano" una banda de punk con sección de vientos llamada La Resistencia.
Su marcha fue muy dura para Interterror ya que fue el autor de la mayoría de los temas pero rápidamente encontraron un sustituto, Guillermo, un guitarrista de Hospitalet que había tocado ya en otra banda llamada Sprays. Siguieron tocando y dando directos de su buen punk con nuevos temas como "La ley". En 1985 salió un mini-LP que se había grabado un año antes cuando "el Enano" aun tocaba el bajo en Interterror, pero en la grabación de este disco le censuraron al Enano Infiltrado una frase de su canción “Felices dias en Auschwitz” la letra decía -Una svástica un Martillo y una Hoz, no importa quien sea mi ejecutor- el productor le censuró y este se fue de la grabación diciendo que pararan la producción del disco que el no grababa sin sus letras enteras, y el al irse del estudio el productor convenció al resto de la banda para seguir grabando y cambiaron dicha frase por –Una svástica, un pelotón, no importa quien sea mi ejecutor- mosqueándose “El enano” sintiéndose traicionado por los suyos y dejando el grupo, pero aun así les salió torcida la jugada y para variar un tipejo de Alcina producciones los engañó editándolo sin darles un duro ni copias de su propio disco pillándose ellos un gran mosqueo que alguno que otro del mismo grupo ni se compró su propio disco y pocos meses después se disolvieron, quedando en ellos el olvido y las anécdotas de esta grandísima banda cogiendo cada uno su camino algunos como dije antes tuvieron otros grupos, “El Enano” y Victor tenian paralelamente La Resistencia y Willy mas tarde cantaria en el grupo valenciano N.E.S. grabando un single.
A dia de hoy se han hecho varias reediciones una de su single, otra de su Mini-LP y otra un LP que contenía el mini-lp mas un concierto en la sala Celeste de Barcelona.

Letra de Adios Lili Marlene (InterTerror) :

Bajo la farola cuarenta años ¡ya!
Lili Marlene espera al soldado quien amó
Dulce era la vida
Y el prometió
Volver aquí junto a su amor

Adiós, Lili Marleen
Adiós, Lili Marleen

Sobre las alambradas 40 años
Yace el cuerpo inerte del soldado de Lilí
Cuando en la batalla muerto callo
Nadie grito nadie lloró

Adiós, Lili Marleen
Adiós, Lili Marleen

En Stalingrando, en Euroshima o en Berlín
También en las Malvinas en Corea o en Vietnam
Murió la esperanza de vivir
De abandonar aquel burdel

Adiós, Lili Marleen
Lili Emborráchate!
Adiós Lili Marleen
Lili Emborráchate!
Adiós Lili Marleen
Lili Emborráchate!
Adiós Lili Marleen!
Lili Emborráchate





*Artigo gentilmente cedido por Pablo colaborador de Sevilla

KANGRENA


Otra banda poco reconocida del punk ibérico de los ochenta son esta banda de Barcelona formada en 1981 por Johnny Sex de bajista, Kike de guitarrista y Manolo a la batería. El cantante Quoque entró más tarde cuando los juntaron para en un festival tocar la versión de "My Way" en ese mismo año y así establenciendose como cuarteto.
El nombre lo cogieron por la errata de la misma palabra "gangrena", lo eligieron porque se sentían identificados con su música, no presisamente como hoy en dia que suelen ser grupos de pies negros y costras indeseables.
Sus influencias fueron el punk británico de la época, como no: Crass, Sex Pistols, Exploited... pero si escuchan sus trabajos se puede oir que era un punk más acelerado y con más rabia con letras provocativas como "Hijo de puta Mod", "Heil Hitler" o letras a su odio a la capital, Madrid. Sus influencias locales eran las bandas de la época,
Ultimo Resorte, Decibelios, RIP, Attak, FrenopaticSS y Siniestro Total.
Siguieron tocando hasta su primer 7'' llamado "Terrorismo Sonoro" cinco temas editado por el sello Anarki en 1983. Gracias a esto Ultimo Resorte y Kangrena en una "gira" europea los asociaron a la escena que hubo en europa. Ya en 1984 sacaron un cassette llamado "Stoc de Pus" con 17 temas un poco peor grabados, y otra cinta de larga duración con un sonido ya no muy bueno "El Cubo de la basura" con 29 temas. Gracias Tralla Records reeditó el 7'' y así no quedar en el olvido esta banda.






Artigo gentilmente cedido por Pablo,baterista da banda punk sevilhana Four And Deforms
RIP






En primer plano en la foto :Txerra Bolinaga y los ya desaparecidos 'Mahoma', en 2003, y 'Portu', en 1997. [DV]


RIP o la historia del punk
Dos periodistas de Arrasate recopilan en un DVD la historia del grupo
RIP
Kaosenlared (Recopilación de noticias) [04.11.2005 21:32] - 3211 lecturas - 25 comentarios

En primer plano Txerra Bolinaga y los ya desaparecidos 'Mahoma', en 2003, y 'Portu', en 1997. [DV]

Publican un DVD en homenaje al grupo de música punk
RIP
El DVD RIP: Historia viva de 25 años de punk dura tres horas y plasma la historia del grupo.

Tras la muerte en el año 2003 de Karlos Agirreurreta Mahoma, cantante del mítico grupo RIP, dos periodistas de Goiena, en Arrasate, deciden hacer un documental recogiendo la historia del grupo y al mismo tiempo realizar un pequeño retrato del momento. Los primeros pasos fueron reunir testimonios, de ex-miembros del grupo y de otros supervivientes de la época.

El DVD RIP: Historia viva de 25 años de punk dura tres horas y plasma la historia del grupo, integrado por los hermanos Yul y Txerra Bolinaga (guitarra y batería), únicos supervivientes del grupo, Karlos Mahoma (voz) y Portu (bajo), y reconstruye la formación, ascenso y declive de una banda que simbolizó como pocas el movimiento contestatario musical en la Euskadi convulsa de los 80 en la que la agitación punk se erigió en plataforma de respuesta.

Es de destacar que los músicos que militaron en el grupo nunca dieron demasiada importancia a lo que hicieron, pero en las reapariciones posteriores y en su vuelta en el 2000, recogieron un gran éxito y gente de todas las edades se volcó masivamente en sus conciertos.

El DVD contiene una hora de conciertos recogidos de diferentes épocas, galería de fotos y otras curiosidades. Se incluye, además un CD en el que se recogen 14 canciones no publicadas hasta ahora. Además el documental se acerca a testigos que fueron relevantes en la movida musical de los años 80, así como Josu Zabala (Hertzainak), Fermin Muguruza (Kortatu, Negu Gorriak), Jimmi (Tijuana in Blue), Mamen (Vulpes), Auo Iñigito (Etsaiak, Txapelpunk), Paco (Eskorbuto), Iñaki Beraetxe y Jabi Destruye.

Diario Vasco

Historia viva del punk
Dos periodistas de Arrasate recopilan en un DVD la historia del grupo RIP El trabajo se presentará la primera semana de noviembre en el Kafe Antzokia

KEPA OLIDEN/

ARRASATE. DV. RIP. 25 años de historia viva del punk. Bajo ese título verá la luz a comienzos de noviembre un DVD recopilatorio sobre el legendario grupo local RIP realizado por los periodistas Iker Barandiaran e Iban Toledo. Este documental es el fruto de dos años de trabajo, y será presentado oficialmente en el Kafe Antzokia de Bilbao con la presencia en el acto de los hermanos Jul y Txerra Bolinaga, únicos supervivientes del cuarteto formado por Eduardo Mancebo 'Portu' (bajo), Carlos Agirreurreta 'Mahoma' (voz), Jul (guitarra) y Txerra (batería).

El DVD sobre el grupo RIP recopila una treintena de entrevistas a otros tantos músicos, periodistas especializados y seguidores que conocieron de cerca al mítico grupo arrasatearra. Sus testimonios, junto con la aportación principal proporcionada por los hermanos Bolinaga, han permitido a Barandiaran y Toledo reconstruir la historia de este emblemático grupo punk vasco. Lógicamente, todos estos testimonios, que suman alrededor de una hora, vienen aderezados con material videográfico con conciertos y actuaciones de los RIP.

Temas inéditos

Uno de los aspectos más interesantes del trabajo recopilatorio llevado a cabo por Barandiaran y Toledo lo constituye sin duda la inclusión junto con el DVD de un CD con catorce temas inéditos de los RIP. Se trata de temas que, pese haber sido reiteradamente interpretados en directo, nunca se llegaron a grabar.

El pack DVD+CD, ha sido editado por Goiena y Gaztelupeko Hotsak, y saldrá a la venta al precio de 18 euros tras su presentación en Bilbao la primera semana de noviembre. En la web hotsak.com se puede adquirir por 15 euros más gastos de envío.

Homenaje a los RIP

Barandiaran y Toledo, admiradores confesos de los legendarios RIP, han pretendido con este trabajo rendir un homenaje a su admirado grupo, al tiempo que retratan la eclosión del punk en el contexto histórico del Mondragón de los años 80, coincidiendo con los 25 años de la creación de los RIP.

El grupo nació originalmente con el nombre 'Doble Cero' y estaba formado por Mancebo 'Portu' (bajo), Jul Bolinaga (guitarra), Txerra Bolinaga (batería) y Juan Luis 'Mallabi' al micrófono. Posteriormente se rebautizaría como RIP y Carlos 'Mahoma' sustituiría a 'Mallabi' como cantante.

Los RIP, en su esplendor durante los años 80, son considerados como uno de los grupos pioneros más representativos de lo que vino en llamarse 'rock radical vasco'. Publicaron dos discos en solitario y uno compartido con el grupo Eskorbuto.

La desaparición de 'Portu', en 1997, y, especialmente, la de 'Mahoma' en 2003, impulsaron a Barandiaran y a Toledo a emprender su particular homenaje a los RIP con este trabajo de recopilación de audio y vídeo sobre un grupo que sin duda vuelva a estar de moda entre el público.

Diario Vasco

RIP o la historia del punkUn dvd reconstruye la historia de la legendaria formación guipuzcoana, uno de los mayores referentes del género

ARTURO GARCÍA

BILBAO. DV. Fue algo más que música: era una manera de vivir y también, con el tiempo, de morir. En plena recuperación de las esencias musicales de todo tipo surgidas en los 80, llega al mercado un testimonio crucial que se acerca a la historia del movimiento punk vasco a través de la figura de una de sus bandas totémicas: los RIP, quizás, la formación punk más importante surgida en Gipuzkoa hace dos décadas y media.

RIP:Historia viva del punk es un documental editado en dvd realizado por los periodistas Iker Barandiaran e Iban Toledo, producido por la empresa de Comunicación Goiena, de Arrasate, localidad donde nació la banda en 1980, y editado en un doble digipack por el sello Gaztelupeko Hotsak, que se complementa con un cd con suculento material inédito: catorce temas que el grupo punk interpretaba en directo y que nunca había sido editados.

El dvd dura 3 horas y plasma la historia del grupo, integrado por los hermanos Yul y Txerra Bolinaga (guitarra y batería),únicos supervivientes del grupo, Karlos Mahoma (voz) y Portu (bajo), y reconstruye la formación, ascenso y declive de una banda que simbolizó como pocas el movimiento contestatario musical en la Euskadi convulsa de los 80 en la que la agitación punk se erigió en plataforma de respuesta para encauzar aquella revuelta sonora.

El dvd contiene más de una hora de conciertos de la banda con sus temas más emblemáticos seleccionados entre o­nce actuaciones de la época, junto a entrevistas con la banda y músicos, periodistas y amigos como Josu Zabala (Hertzainak), Fermin Muguruza, El Drogas (Barricada), Jimmi (Tijuana in Blue), Mamen (Vulpes), Iñigito (Etsaiak, Txapelpunk), Paco (Eskorbuto), Iñaki Beraetxe o Jabi Destruye.

Autodestrucción

Txerra agradeció ayer, el interés mostrado por reconocer los logros que jalonaron la historia de RIP, marcada como la mayoría de bandas punk, como Eskorbuto, Cicatriz o Vómito, por el componente autodestructivo y los hábitos peligrosos y no eludió ayer la sombra de las drogas en aquel proceso. «Esto es un homenaje a Portu y Mahoma, pero también a todos aquellos grupos punk porque nuestras trayectorias fueron bastante paralelas: fue una época dura, tiempos de heroína, drogas y sida que se llevaron por delante a muchos de los músicos pero también de seguidores», recordó.

Todo el material ha sido editado tal y como se registró, es decir: «con un sonido malo y con lo que entonces sabíamos tocar: es lo que fuimos pero también como vivimos». Respecto a su impresión acerca de los tiempos actuales de la música, ambos coincidieron en resaltar que todo es ahora muy distinto: «todo se ha profesionalizado, los grupos se crean de otra manera, buscan desde el principio más sonar bien que plasmar una forma de vivir a través de la música, como entonces».

El Disco

Título: RIP: Historia viva de 25 años del punk (Gaztelupeko Hotsak).

Grupo: RIP (Arrasate, 1980).Integrantes: Yul Bolinaga (guitarra), Txerra Bolinaga (batería), Karlos 'Mahoma' (voz), Portu (bajo).

Contenidos: Un dvd de 3 horas, con entrevistas, conciertos y material extra y un cd con catorce inéditas.

Coordina el proyecto: Goiena.
COMMANDO 9MM




http://www.commando9mm.com/


http://www.youtube.com/v/0 UqOZ4m5vY">http://www.youtube.com/v/0 UqOZ4m5vY" type="application/x-shockwave-flash" width="425" height="350">


PUNK ROCK CLÁSSICO DE ESPANHA BIO:

Era 1982 cuando Larsen y La Uvi, dos grupos punteros del punk español, se empezaron a conocer. Larsen con su "Frontera Francesa" y La Uvi con "La Policía" estaban destinados a juntarse.

Coincidían en los conciertos, en el Rock Ola, en malasaña pa tomar cervecitas, coincidían en muchas cosas.

El Pollo y el Mosca, guitarra y batería respectivamente de Larsen, y Manolo Uvi de La Uvi, decidieron juntarse y probar a juntar su música. 1983 y nació
Commando 9 mm

Pillaron un local en embajadores y empezaron a currar como locos. Parece que suena bien !!!


Fue en esos momentos cuando Commando 9 mm empezó a componer canciones: Johnny, Amor Frenopático, Odio en Sudamérica ... Canciones que si vas a un concierto de Commando la gente las sigue pidiendo.

Se apuntaron al Villa de Madrid. Les vimos en la final, en el campo de fútbol del Moscardó, y ganaron la grabación de su primer single: Johnny, Odio en Sudamérica. Se empezó a mover por las radios, a dar conciertos y Commando se empezaba a conocer. Siempre escuchabas comentarios como: Esto chicos tocan que te cagas... Como suenan y sólo son tres en el grupo...


Esta es la historia del nacimiento de Commando 9 mm.


http://www.commando9mm.com/

THE JILLS






"We are from the exotic Portugal. We met Axel Rose on a nightclub and we started a fight because of Chinese Democracy and other shit. After a few months composing music we dicided that it was our duty to bring a legendary rocknroll band. The Jills. "

http://WWW.MYSPACE.COM/THEJILLS999
LOS CONFUNDIDOS






WWW.MYSPACE.COM/LOSCONFUNDIDOS



PUNK ROCK ARGENTINO DA ACTUALIDADE

sábado, junho 10, 2006

PUNK EN ARGENTINA


El PUNK en Argentina nace a finales de los años 70s, no mucho tiempo despues que lo hizo en U.K y en U.S.A ,solo que con mucha menos intensidad, en el ambiente rockero era muy conocida una revista llamada PELO en el número 83 de Febrero de 1977 se publicó un informe sobre el PUNK y lo que estaba generando en U.K. , este informe y lo que se mencionaba en la radio y la TV motivaron a un joven llamado Pedro Braun (más conocido como Hari-B) a investigar ya que existia muy poca información y la mayor parte estaba distorsionada por los medios conservadores argentinos. Hari-B fue el primer PUNK Argentino, la caracteristica principal del punk en estas tierras fue que no nació de los jóvenes mas pobres sino que gracias a que Hari-B tenia dinero y pudo viajar a Inglaterra en pleno apogeo PUNK (año 77), lo bueno es que no se quedo para si mismo la información sino que la difundió para que muchos la conocieran y naciera así la escena punk argentina.
Mediante la misma revista PELO , Hari-B (quien desde antes tocaba la guitarra) envio correos invitando a formar una banda PUNK por este medio se contacto con otros jóvenes como Nestor , que tenia algunos discos punks y que se presento como cantante, y por medio de este conocio a Sergio Gramatica (baterista, quien habia conseguido un disco de The Clash y otro de The Ramones) estos tres junto a Mauricio Conterno un simple vecino interesado formaron lo que fue el primer embrión del PUNK en Argentina. Habian nacido LOS TESTICULOS.





LOS TESTICULOS NA FOTO

Su primera presentacion fue en una escuela el 2 de diciembre de 1978 con Hari-B en Guitarra, Sergio Gramatica en batería , Nestor “Podrido” en voz y Mauricio Conterno en bajo. Unos meses mas tarde el 9 de Abril de 1979 el grupo se presento en una sala de Capital Federal, por primera vez se veia la estetica PUNK en los carteles, bajista y cantante fueron reemplazados, Beto Villaverde en el Bajo y SS Genocida (Gerardo) en la voz. Con una concurrencia de 6 personas entre las que se encontraba Gamexane,(luego en LOS LAXANTES y TODOS TUS MUERTOS), el show comenzo sin problemas hasta que intervino un escuadron de Toxicomania de la Policia Federal llebandose a todo el mundo se comenta que incluso fueron torturados. Después de este episodio el grupo decidio parar por un tiempo , en ese periodo Hari-B fue llamado por el ejercito para hacer el servicio militar (enrolarse en Argentina era por sorteo y obligatorio), en ese tiempo Gramatica y los demas decidieron cambiar el nombre del grupo por el de LOS VIOLADORES, con este nombre es con el que consiguieron reconocimiento internacional, editando en 1983 (después de la Dictadura militar 1976-1983) un muy buen disco de PUNK ROCK .Los Violadores atravesaron todas las epocas e inclusive siguen tocando hoy en dia aunque sin su creador Hari-B, se caracterizaron por oponerse a la autoridad , a pesar de no ser jóvenes de clase baja como lo eran en Europa ellos dejaron todo , y tocaron Punk Rock en epocas muy duras del pais, epocas donde hasta podian matarte por hacer Rock, se opusieron a la Guerra de Malvinas de 1982 enfrentaron la censura y a pesar de que sus letras no eran “politica” pura siempre criticaron duramente al Sistema y a la Sociedad Argentina.



LOS VIOLADORES


PANORAMA PUNK 1978-1982
Ademas de LOS TESTICULOS y su posterior banda LOS VIOLADORES , en esa epoca empezaron a surgir otros grupos , muchos nacieron en plena dictadura militar y no hay registro de grabaciones, la mayoria duraria muy poco pero sirvio para empezar la escena que hoy conocemos .
LOS LAXANTES :Formados en 1980 por Alex Raid en bateria , X en voz y Gamexane en guitarra, al principio no tenian bajista.Con esta formación debutaron junto a Los Violadores el 16 de Marzo de 1980.Luego ingreso “el Yankee” en el bajo, que seria reemplazado por Felix. Su hit fue “Vacaciones en Irlanda”. Mas tarde cambio el baterista por Pablo Esau, que luego seria baterista de LOS PILLOS, Finalmente Fernando Ricciardi (desde 1984 con LOS FABULOSOS CADILLACS) reemplazo a Esau en 1982.Se separaron en 1983 Gamexane y Felix formaron TODOS TUS MUERTOS . La banda volvio en 1988 para la presentacion del disco INVASION 88 donde aparecen con 2 temas “Minifaldas” y “Escuelas”.

LOS BARAJA: Se formaron en 1980 debutaron en invierno de ese año los miembros eran Marcelo Montolivo (alias Vil Baraja) en Guitarra, Marcelo “Pocavida” (voz), Murson “Veneno”(bajo) y “Basura” en bateria. En 1988 salieron 2 temas del grupo en el compilado INVASION 88 , esos temas son mas bien lentos ya que los Baraja solian tocar un estilo mas HARDCORE se rumorea que fue el primer grupo en tocar ese estilo de musica.

ALERTA ROJA:Formados en 1981 por Pablo Strangler (guitarra), Mongo (voz) Fernán (batería) y Jose (bajo) se dice que editaron una producción independiente llamada “Derrumbando la Casa Rosada” (asi se llama a la sede del Gobierno Argentino), en 1985 volvieron a juntarse para grabar un segundo trabajo pero se separaron al poco tiempo

COMANDO SUICIDA: Comenzaron en 1982 haciendo punk rock (versiones de los SEX PISTOLS en castellano). La formación incluía a Sergio “Chuchu” Fasanelli en bateria, Key en Guitarra, Sergio Anticristo en voz y El Mariscal en bajo con esta formación grabaron un demo, luego de varios cambios de formación y de estilo pasaron del Punk al Hardcore, luego Sergio se introduce en el movimiento Skinhead pasando a adoptar esta movida toda la banda, en un principio sin politica luego pasarian a formar parte del partido de ultraderecha conocido como MSN (Movimiento Social Nacionalista) dejando en claro su postura Fascista, hoy siguen tocando con solo Sergio de la vieja formación y se definen como apoliticos pero su orientación es R.A.C .

LOS INADAPTADOS :Formados en los suburbios de capital federal , eran miliantes activos de izquierda y amigos de PILTRAFA(cantante de violadores) se separaron a principios de 1982

Ademas de estas bandas existian otras como CONTROL ,GENIOL CON COCA (que eran mas teatrales), Trixy y los Maniaticos donde cantaba Trixy una de las pocas mujeres de la escena de esos tiempos quizas la mas conocida y que luego formaria SENTIMIENTO INCONTROLABLE y seria el bajo de CADAVERES DE NIÑOS ademas de su participación en fanzines, es PATRICIA NURO que aun hoy sigue activa en la escena punk tocando y cantando en SHE DEVILS y sigue igual de hermosa jeje

2ª GENERACION

La que podemos llamar 2da generacion que nace a partir de 1983 son la mayoria que estan en el compilado punk INVASION 88, aunque existen muchas mas . Podemos citar a MASSACRE PALESTINA Primera banda de Skate Rock que hasta el dia de hoy siguen tocando TODOS TUS MUERTOS , SECUESTRO , PERFECTOS IDIOTAS (Ska) .L.S.D - MUTANTES DEL KAOSRIP- LOS PILLOS-todas alrededor del año 86 o anteriores

Bandas que participaron en el compilado
INVASION 88

DIVISION AUTISTA :Formados a principios de 1987 tocaron algunas veces con MASSACRE PALESTINA, LOS CORROSIVOS, SENTIMIENTO INEXPLICABLE. Esta banda se definia como SxE quizas fueron los primeros.

FLEMA: Formados a principios de 1987 debutan abriendo para Comando suicida en marzo de ese año luego se separan y vuelven en el 88 para grabar para el compilado en su primera epoca tenian otro cantante pero el que populariso la banda dando su voz fue Ricky Espinosa primero guitarrista y luego paso a cantar fue siempre el lider de la banda y esta siguió hasta su dudosa muerte el 30 de Mayo del 2002 cuando cayo de un 5to piso .Sus compañeros formaron TOPOS con la que tocan hoy en dia

DEFENSA Y JUSTICIA: Se formaron en Abril de 1987 descargando un punk duro y callejero en mi opinión era Oi! music desde las letras y el estilo esta banda no prospero gracias a que compartia integrantes con la banda
ATTAQUE 77.

ATTAQUE 77 : Formados en enero de 1987 por dos hermanos , jóvenes de clase obrera ,esta banda fue muy importante para la escena local mas que nada en sus comienzos que descargaban un punk rock callejero con letras de igual tinte, lastima que ahora son estrellas del rock

CONMOCION CEREBRAL: Esta banda tuvo muchos integrantes y fue igualmente importante para la creación de grupos como Attaque 77 y los que siguieron se formaron en 1985
Otras bandas del compilado son LOS LAXANTES, LOS BARAJA, COMANDO SUICIDA, EXEROICA (grupo Femenino) y RIGIDEZ KADAVERIKA un buen grupo de Hardcore . Otras bandas de la epoca que venian acompañando desde los primeros 80s fueron MAL MOMENTO y DOBLE FUERZA (en un principio era Doble FuerSSa y se denominaban Skins N.S) para luego pasar a ser simple Punk rock.
Quedo mucha información afuera por cuestiones de espacio ya que es imposible reseñar todas las bandas que existian y que fueron muy importante solo me queda decir que aun hay bandas que la pelean desde esa epoca como DOS MINUTOS- SIN LEY- BIEN DESOCUPADOS-MAL DE PARKINSON- SUPERUVA y tambien quedo afuera un movimiento muy importante para lo que después fue el Oi! music local ese movimiento fue el B.A.H.C Buenos Aires Hard Core con bandas de HC duro al estilo N.Y todo comenzo por 1992 editando el compilado Hardcore MENTES ABIERTAS .





COMPILADO MENTES ABIERTAS



A MAQUETE DOS MASSACRE PALESTINA





MAL MOMENTO





RIGIDEZ KADAVÉRICA NA FOTO




COMANDO SUICIDA NA FOTO


Espero que les haya servido para empezar a buscar información, les dejo un flog de interes www.fotolog.com/rekordandote, agradesco a Jay Cobra que me haya invitado a participar con este escrito un abrazo desde Argentina

Tuky

* Nota del "director" del blog:

Gracias nosotros a ti Tuky por tú colaboración,y muchas gracias tanbién a tudos los que colaboran con esto blog .
Un abrazo a tudos ellos !!!

Jay Cobra

domingo, junho 04, 2006

LENDA DO PUNK-ROCK DA MUSGUEIRA COM MYSPACE DÍSPONÍVEL







NA FOTO TONY SCUM E XICO DOS ACTUAIS DOOM ROCKERS DAWNRIDER,EX CRISE TOTAL,SUBCAOS, E PORCOS SUJOS...

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CAPA DO CD MAQUETA LIMITADA A 50 CÓPIAS DOS CLOCKWORK BOYS (SOLD OUT)
TRACKLIST DA DEMO CD :

1-FERNANDO CHALANA ERA ROCK N´ROLL
2-ROCK NAS CADEIAS
3-HOOLIGANS NA NOITE
4-A MINHA LILI MARLENE
5-HÁ QUE VIOLENTAR O SISTEMA ( AQUI D´EL-ROCK COVER)
6-PAULINHO CASCAVEL
7-SOLTA A COBRA QUE HÁ EM TI
8-INTRO/FERNANDO CHALANA ERA ROCK N´ROLL (LIVE)
9-FACADAS NA NOITE (LIVE)
10-HÁ CRIME NO AR (LIVE)

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FESTIVAL HEAVY/ROCK DE VERÃO/AGOSTO 2006






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UMA DAS POUCAS BANDAS NACIONAIS COM JOGO SCUM PUNK ROCK N´ROLL PRA HOMENS A SÉRIO!!! REVENGE MY ROCK N´ROLL !!! DEIXO-VOS AQUI UMA LETRA DESTA RAPAZIADA AMIGA DO PUNK ROCK CAMAFEU DEDICADA AOS RANHOSOS DO HIP- HOP:

RAP IS CRAP ( SAVAGE CITY OUTLAWS)

rock n roll rules ok
punk and metal everyday
disco shit dies today
techno fags have to pay

rap is crap no need to tell
fuck their women and give em hell

music channels suck so hard
hip hop industry of retards
cut the airplay of rap shit
rock n roll is hard to beat
rap is crap no need to tell
fuck their women and give em hell



A RAINHA DO PRAZER /QUEEN OF PLEASURE






CICCIOLINA LA GRAN PUTANA
" MULLET E BIGODE , PRONTO PARA O ROCK "



O VERDADEIRO SENHOR PUNK ROCKER






VIVA O ARTUR GONÇALVES!!! ARTUR VIVE NA NOSSA ALMA!!!


PARA MAIS INFORMAÇÃO SOBRE ESTE GRANDE ARTISTA PORTUGUÊS,VISITAR:

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Crime – San Francisco’s Doomed

Crime formed in 1976 in San Francisco, California. Ricky James (Drums), Frankie Fix (Gtr/Vox), Ron The Ripper Greco (Bass) & Johnny Strike (Gtr/Vox) may well hold the dubious honour of being the first US Punk group to release an independent record, the self-financed “Hot Wire My Heart”/”Baby You’re So Repulsive”.


You could say Crime were criminally overlooked (ouch). Whatever the history books say, they are invariably wrong. Some will tell you that Crime were the real deal. Others that they didn’t fit it. From that you will understand why Crime are so important. It’s all about NOT fitting in.

Crime played gut-level punk rock n roll sometime before the genre had been fully formed. Their fellow progenitors included Rocket From The Tombs, The Real Kids & a whole host of long forgotten US groups. From 1976 until 1977 Crime were a party way out of control. It had to crash - & it ultimately did. The only live footage of Crime I’ve ever seen was of them playing in the quadrangle of San Quentin State Prison. Needless to say, the prisoners looked scared - Crime were dressed as LA cops!!!! Confrontational? Crime?



The following interview was conducted by Mike Horn for Punk magazine (Issue 11) from 1977. It has been used here without his permission because you’ll be far more interested to read it than read line after line of me crapping on about how great Crime were. Their words speak volumes:



CRIME interview from Punk #11 (1977)


Interview by Mike Horn:

I'd been hearing weak grapevine rumors about the Crime band. So I decided to catch their act. I took Page, the world famous bring-em-back-alive photographer, along with me.

We caught up with Crime at the Cinemadrome, a bombed-out rehearsal hall near the corner of Sixth and Howard in San Francisco. The neighborhood featured warehouses, a sprinkling of bondage bars and a methadone clinic, so the band's black limousine really stood out. Three of the band members were there when we arrived:
Frankie Fix (Guitar, Vocals)
Johnny Strike (Guitar, Vocals)
and Ron the Ripper (Bass)

They were sitting on a ratty couch down at one end of the cement-floored room, staring at the egg cartons that had been nailed to the walls to give the Cinemadrome that studio look. We sat down, and Crime opened up.

FRANKIE: There's a lot of bands that want to cash in on the punk scene and get in on the fad, but we're the real punks! It's tough making it big here in San Francisco, and we've talked about moving to another city, but as long as we're here...

JOHNNIE: Some people think the Nuns are the big punk band around town, but they're not. I hate to say it, but we're the only punk band happening at the present time in San Francisco.

PAGE: How long have you been together?

FRANKIE: About a year.

PAGE: Where are you from?

FRANKIE: Er, Harrisburg. Harrisburg, Pennsylvania.
Ricky James [aka Ricky Sleeper/Tractor/Flipper], the drummer, entered with Dee Dee, a female friend, and we were introduced. Ricky never said a word the whole time we were there.

FRANKIE: Yes, as I was saying, Johnnie and I had a record shop in Harrisburg. We've been together a long time.

JOHNNIE: We're the first and only Rock and Roll band in San Francisco!

This evoked a dead silence. We just looked at each other for a minute or so.

HORN: When I can't think of good questions to ask, I just keep my mouth shut.

FRANKIE: That's OK, we'll ask the questions.

HORN: What bands do you guys like to listen to?

JOHNNIE: Oh, the Nerves, Patti Smith, Bob Marley, the Ramones, the Dogs, Quick, Killer Kane...

HORN: Where do you play?

FRANKIE: At the Mabuhay Gardens, the Stud Bar... We played the Sonic Rendezvous for a SIR party, a sort of gay Halloween trip...

HORN: I'll bet it's hard to pay the rent on this place.

JOHNNIE: Yeah, we all pool our unemployment checks and just barely make it. It's too bad we can't sleep here.

HORN: Then Crime does not pay?

FRANKIE: No, not yet.

JOHNNIE: But it will.

HORN: That's what the all say.

RON: Are you a real photographer? Where's your portfolio?

PAGE: I don't carry me portfolio around with me, darling! I was a combat photographer in 'nam for four and a half years!
I had 86 pages in Life Magazine! I'd need a fuckin' semi just to haul me slides about! I just carry me camera and a few lenses for jobs like this one! (takes a picture of Ron) You think I'm not a photographer?

DEE DEE: Do you take pictures for Rolling Stone?

PAGE: I'm freelance, like Ike Horn. I'll take pictures for anybody...I did some shots for Steve Miller's album cover last year... I shot the old Doors, the Soft Machine...

JOHNNIE: I haven't listened to Steve Miller in about ten years.

PAGE: What do you want on your album cover? An egg carton?

FRANKIE: No, two dead chicks with their heads busted open in an alley...lots of blood.

PAGE: (gets excited) You want dead people? I've got lots of left-over slides from 'nam! Lots of corpses! I just sold some to Hustler, but I've got some good ones left. How about a couple of chicks napalmed Vietnamese chicks with their heads blown off?

JOHNNIE: Naw.

HORN: We haven't gotten to your message yet.

FRANKIE: We like to come on strong...get real boring...leave 'em stoned.

PAGE: Where'd you get your combat boots?

FRANKIE AND JOHNNIE: Huh?
PAGE: Your boots! (points to Frankie and Johnnie's look-alike shiny new khaki combat boots.) Where'd you get those A-1s?

FRANKIE: The Army-Navy surplus store.

PAGE: I've got six pairs at home. I've got all sorts of gear that I brought back from 'nam.

JOHNNIE: Got any Nazi stuff?

PAGE: No, but I've got a real nice selection of Viet Cong pajama suits, fragment grenades, camouflage material, AK 47s...

Crime lost interest at this point, and went to the far end of the Cinemadrome to tune up, so we turned out attention to Dee Dee, who looked a lot like Eva Braun. She was leafing through a copy of the Philosophy of Andy Warhol and chewing gum, but she took the time to answer a few questions.

HORN: Where are you from?

DEE DEE: Detroit.

HORN: Are you a musician?

DEE DEE: I'm a vocalist.

HORN: Are you in a group?

DEE DEE: Not right now. I'm looking around, checking things out. I might put a group together. San Francisco sucks.

HORN: What do you think of the Nuns?

DEE DEE: They're OK. I like Crime better. They have good material, but I don't care for the way they put it across.
HORN: How do you spell your name?

DEE DEE: Dee eee eee Dee eee eee.
We need more new music in Detroit.

PAGE: Yes, but do we need Detroit? I mean, really!

Crime launched into their set at then and conversation became impossible. They did 'Raw Rumble', 'Hotwire my Heart', 'Money Crazy', 'Galvanized Grime', 'Manic Mainline', and were half-way through 'Murder by Guitar' when Ricky broke his drum pedal.

Page had shot a roll of film, so we decided to leave. We'd heard enough. Crime was super loud, with their Marshalls turned up all the way. Their drone reminded me a little of the old Velvet Underground, but they didn't make me fell like dancing. They posed a lot, totally into their self-image of a bad-ass neo-Nazi killer punk band.

They were fake punk.

HORN: Hey, we'll see you later.

JOHNNIE: Have you got enough for a story?

HORN: Yeah, was that last song 'Guitar Lover'?

JOHNNIE: No, that was 'Murder by Guitar'.

HORN: Oh...sorry, I guess that was a Freudian slip.

FRANKIE: Come back any time. We're here rehearsing every night from seven 'til ten.

We eased our way out the door and back onto Howard street. It was a bleak, cold night with the usual Frisco fog.

My ears hurt.

PAGE: Where's the fuckin' safety pins? They're not a real punk band, that lot!

HORN: They want to be one, though. More than
anything Crime wants to be the number one, killer punk rock band in San Francisco.

PAGE: They're too shitty to be punk!

HORN: Well...I think they're straights posing as fag punk rockers. But what if they are? I'm a liberal, let's check out the Nuns...

sábado, junho 03, 2006

ENTREVISTA COM MATT DANGERFIELD DA MITÍCA BANDA INGLESA THE BOYS REALIZADA POR MIM EM AGOSTO DE 2005:







MATT DANGERFIELD, THE BOYS



1-CAN YOU TELL US A SHORT STORY,HOW YOU GUYS FORMED UP?



I met Casino Steel trough a drummer friend but I already knew about his previous band The Hollywood Brats. Honest John Plain was a friend I originally met at art college. Duncan Reid and Jack Black were working at the same place as John

2-WHAT WERE AND ARE YOUR MAIN MUSICAL INFLUENCES?

At the time my influences were mainly 60s – Beatles, Stones, Dylan, Kinks, Small Faces etc plus more recent bands such as Bowie, Roxy Music, New York Dolls and Velvet Underground

3-HOW MANY GIGS YOU´VE PLAYED,AND WHAT COUNTRIES DID YOU TOURED?TELL US WHAT WERE THE GIGS OR TOURS YOU MUST ENJOYED?


God knows how many gigs ,but countries played or toured were UK, France, Holland, Germany, Italy, Norway, Spain, USA, Japan



4-WHAT ARE YOUR FAVORITE BOYS RECORDS?

The Boys
Alternative Chartbusters


5-AND WHAT ARE YOUR FAVORITE BOYS SONGS?

Sick On You
Soda Pressing
Let It Rain

6-WHAT DO YOU KNOW ABOUT PORTUGUESE PUNK-ROCK?YOU KNOW THAT A BOYS RECORD,HAS BEEN EDITED AND DISTRIBUTED HERE BY MUSIC PLAY IN 1978?

1. Nothing really
2. No


7-WHAT ARE YOUR PLANS FOR THE FUTURE?ARE YOU INVOLVED IN ANY SIDE PROJECTS?

To have Britney Spears cover one of my songs
Am currently organising The Global Battle of the Bands - check out www.gbob.com

8-WOULD YOU LIKE TO PLAY HERE IN PORTUGAL?HOW CAN PEOPLE HIRE YOU?

Would love to play in Portugal – I love the place.
Did you know that Portugal is the only country in Europe that England has never had a war with?

9-WITH WHAT ENGLISH BANDS YOU HAD OR HAVE MORE RELATIONSHIP?AND WITH WHAT BANDS YOU´VE HAD SPECIAL PLEASURE SHARING A STAGE?

Ramones, Bernie Torme Band


10-HOW DID PUNK ROCK ENTERED YOUR LIFE´S?HOW WAS THE MUSIC SCENE IN YOUR CITY?

Through being part of the music scene that developed into UK punk rock. Punk rock was the music scene in London in 1976

11-IN YOUR OPINION WHAT ARE THE BEST PUNK RECORDS EVER DONE,IF YOU CAN NAME SOME?

The Trogs “Wild Thing”
Wire “I Am The Fly”
Iggy Pop “No Fun”
Velvet Underground “Waiting For The Man”

12-WHAT WAS THE BIGGEST AUDIENCE YOU´VE PLAYED,AND HOW WAS THE SENSATION?

A festival at a bull ring in Barcelona.
The sensation was like swallowing dried bulls blood when the kids started pogoing at the front and all the ancient dust from the bull ring blew over the stage

13-THERE WAS ANY VIOLENCE OR CHAOS DURING YOUR GIGS?ANY FUNNY STORIES? CAN YOU DESCRIBE HOW WAS THE MOOD AT YOUR GIGS?

We once played a secret gig as The Yobs but after about 10 minutes the crowd invaded the stage and all the equipment got wrecked. We never played as The Yobs again.

14-WHAT DO YOU THINK OF THE PUNK SCENE OF NOWADAYS?

The world needs it as an alternative to all the manufactured rubbish out there.

15-ANY LAST WORDS YOU WANT TO ADD?

Punk’s not dead



*Thanx a lot for the Interview Matt and Good Luck For The Boys

JAY COBRA

Etiquetas:

Rock das Cadeias: Junho 2006
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